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Postmodern Challenges - Defining Impact

The Sandwich-maker

The other day I met a sandwich-maker.

He was waiting for the train one morning, as I was, and his gawking got me looking around. Was I really the youngest, most beautiful woman here?  Yep. All men for the moment. Come on, buddy, knock it off.  I’m not sixteen anymore. An old woman arrived. She seemed to know the gawker, and they spent the entire ride chatting.

We changed trains at Juvisy. The gawker came and sat next to me. We made small talk. I knew no evil masher could have a grandmother for a friend. Still I lied about where I lived, where I was going.

“I make sandwiches at the deli on Blvd W-,” he announced.

I loved the way he said those simple words. I make sandwiches. He made sandwiches, and sandwiches made him what he was. He lived in a world I knew nothing about. I make sandwiches. Each word carried the weight of a thousand. I wished I could feel the same pride about what I did.

“I know Blvd. W-,” I said. “I bought a piano there.”

“You know Blvd W-!” He could hardly contain himself. I knew Blvd W-. Everything about him seemed to reach out to me in a burst of sentiment that got immediately stifled by a loud voice. A man had started bellowing a well-constructed harangue about the value of money. If everyone in the car could give him 10 francs… He walked slowly down the aisle, leather purse in hand. No one moved, and at the next stop, he got off. My sandwich-making friend chuckled and said the man bothered passengers with that same speech every day. When I asked if the man ever got what he wanted, my friend looked confused and lapsed into silence.

“You come to the deli,” he said, as we pulled into Gare de Lyon. “I’ll make you a sandwich.”

Category: On the metro

Tagged: , , ,

2 Responses

  1. Why so secretive about the name of the street? A solid little slice of life.

  2. kelly b says:

    Does anyone ever get what they want? Or as the Stones say get “What you need”?

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If you want to mess up someone's life, steal his post-its

Nothing is set in stone - Changes as they happen on Center Stage

-I’m not sitting here, Fran!

-Oh Tod.

-Don’t start that, Fran.

-He did say, “Center Stage.”

-Why us?

-We’re props, Tod.

-Why’d he choose us, Fran? We’re not the only Americans. We weren’t first in line. Is it my weight? Is it your-

-He looked so pleased to put us here.

-And so we’re just going to sit here ‘cause “Monsieur” looked pleased? Are you nuts, Fran?

-Oh, Tod. You wanted something contemporary… You like being on stage.

-I can’t even talk to you.

-Don’t touch them!

-There’s got to be a back door. Don’t want to step over your “Monsieur”. Why’s he standing guard like that?

-Tod, you never touch the curtains in a theatre.

-Why the hell not? Let me guess, because theatre is like life? Is that it, Fran? You don’t turn your back on anybody, and you don’t touch his curtains? You’re pathetic, Fran!

-Sit down, Tod.

-I don’t like that tone, Fran.

-What tone?

-That sweet little voice of yours! I hate it when you get all nice. I know what you’re thinking.

-If you don’t want to-

-Stop whispering, Fran!

-If you don’t want to be part of the spectacle, sit down and try to act-

-Act how?

-Now is not the time.

-Come on, Fran, how should I act?

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